The Evolution of Verse Structure in Old and Middle English Poetry
From the Earliest Alliterative Poems to Iambic Pentameter
Omschrijving
"Given the structure of English, a sound echo involving stressed syllables will usually have semantic as well as phonological prominence. Ideally, semantic relations marked by the echo will take on special meaning within a particular work. Shakespeare's rhymes highlight semantic kinships in day / May (times associated with youth), shines / declines (high point and descent), dimmed / untrimmed (loss of beauty), and fade / shade (loss of color). At a more abstract level, these rhymes align life and death with light and darkness. Alliteration has comparable semantic importance in Meredith's poem. In the fourth stanza, for example, the unifying sound echoes occur in fish, fur, fierce, fire, faggots, and froze"- This comprehensive study traces the evolution of verse structure in Old and Middle English poetry from the earliest alliterative poems to iambic pentameter. It provides a general theory of poetic form with a glossary of technical terms and explores how poetic form is perceived by the human mind.
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